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It’s overshadowed today because they’d done it better once or twice before by anyone else “The Edge of Heaven” would be remembered as peak ’80s. The absolutely absurd run of hits George Michael and Andrew Ridgeley experienced in just a three-year run as Wham! finally came to an end with farewell single “The Edge of Heaven,” though it hardly sounds like goodbye - the breathless proficiency of its Motown-borrowed swing, with Michael riding it like a cowboy scared to loose his grip, suggests a duo still enjoying the view from the top of the pops. “The Edge of Heaven” ( Music From the Edge of Heaven, 1986) It didn’t always work, but one of the times it did was on the downtempo soft-shoe of Older‘s “Move On,” in which Michael softly reflects upon a life of tribulation - which a few years earlier had expanded to include the death of lover Anselmo Feleppa to AIDS - and states with the quiet determination of a muted trumpet: “I think of all the days and nights I spent crying / And I move on.” The applause Michael receives at song’s end is hard-earned.ġ3. Michael showed an odd affinity for post-Style Council faux-jazz arrangements over the course of his career - maybe fancying himself the late-night club singer reflecting the denizens’ loneliness back to them. and effectively signaled his career’s end stateside, he was probably having too much fun to notice. With its euphoric sense of dance-floor release and doubled-down cheekiness (down to Michael playing a cop in a bathroom-turned-disco in the video) “Outside” leaned so far in it fell all the way over, and while the thing flopped in the U.S.

In which George Michael stared down one of the most scandalous arrests of the modern pop era and decided f–k ’em if they can’t take a joke. “Outside” ( Ladies and Gentlemen, The Best of George Michael, 1998)

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